“
We would never learn their names, which would be whispered thereafter only by pockets of memory that floated in the wind; would never learn of their varied, torturous migrations, never realise that their remains lay scattered beneath our feet, that our homes had been constructed on their bones, their carcasses, nor that it was their rising, wandering spirits which roamed the ever-expanding forests of Ekpo.
”
Mary Ononokpono, Ayanti (Will You Remember Me?)
Migrations: New Short Fiction From Africa, New Internationalist Books 2017
ABOUT
B.
CALABAR, NIGERIA
MARY ONONOKPONO is a Nigerian-British writer. She is the recipient of the 2018 Florence Staniforth Prize for Excellence in Creative Writing, the winner of the 2017 Black Letter Media Short Story Prize, and the Winner of the 2014 Golden Baobab Prize for Early Chapter Books. Mary has been thrice shortlisted for the Morland Writing Scholarship. Her writing has been published in various anthologies and magazines.
Mary’s work centres African perspectives, taking inspiration from the cultural legacies of the African continent. She creates narratives which reimagine the African past as a basis for examining present and future. Her work is heavily influenced by the rich ontological and cosmological landscapes of her ancestral home in the South-Eastern corner of Nigeria. Linguistically, Mary seeks to bring her ancestral languages —Ibibio, Okobo and Efik (amongst others)— and the histories encoded therein, to the attention of a wider audience.
Mary is an AHRC funded Doctoral Scholar at the University of Cambridge Faculty of History. As an historian of the Atlantic world, her research concerns gendered socio-economic and cultural transformations across the Biafran littoral in the eighteenth and nineteenth centuries. She holds an MPhil in African Studies from the University of Cambridge where she graduated with distinction. At present, Mary is completing a novel and collection of short stories.
Notable Prizes/ Nominations
2019
LUCY CAVENDISH STUDENT FICTION PRIZE
second runner up
2018
MORLAND WRITING SCHOLARSHIP
SHORTLISTED
FLORENCE STANIFORTH PRIZE FOR EXCELLENCE IN CREATIVE WRITING
RECIPIENT
2017
BLACK LETTER MEDIA SHORT STORY PRIZE
WINNER
2016
MORLAND WRITING SCHOLARSHIP
SHORTLISTED
SHORT STORY DAY AFRICA PRIZE
LONGLISTED
FARAFINA WRITING WORKSHOP with CHIMAMANDA NGOZI ADICHIE
SHORTLISTED
2015
MORLAND WRITING SCHOLARSHIP
SHORTLISTED
SHORT STORY DAY AFRICA PRIZE
LONGLISTED
2014
GOLDEN BAOBAB PRIZE FOR EARLY CHAPTER BOOKS
WINNER
SHORT STORY DAY AFRICA PRIZE
LONGLISTED
COMMONWORD DIVERSITY FOR CHILDREN PRIZE
LONGLISTED
ARTIST STATEMENT
DECEMBER 2012 - PRESENT
SPIRIT WORK IS DEAD RAISING WORK
SPIRIT WORK IS DEAD RAISING WORK is a body of work that springs from an initiatory trip to Nigeria in December 2012. The work takes the form of a collection of short stories; a soul retrieval in novel format; and a series of oratorical pieces which navigate ritual spatial thresholds. The aim is to give voice to a hierarchy of spirit interlocutors. Work is ongoing. Select stories from the short story collection can be purchased here, here and here.
‘The hand of the Lord was upon me, and he brought me out by the Spirit of the Lord, and set me down in the midst of the valley; it was full of bones. And he led me round among them; and behold, there were very many upon the valley; and lo, they were very dry.
And he said to me, “Son of man, can these bones live?”
And I answered, “O Lord God, thou knowest.”
Again he said to me, “Prophesy to these bones, and say to them, O dry bones, hear the word of the Lord. Thus says the Lord God to these bones: Behold, I will cause breath to enter you, and you shall live. And I will lay sinews upon you, and will cause flesh to come upon you, and cover you with skin, and put breath in you, and you shall live; and you shall know that I am the Lord.”’
Ezekiel 37:1-6 RSV
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